Late silent-era film Desert Nights has a couple of peculiar jump cuts that play like something is missing from the surviving film.The uncle excitedly plans to plow Stavros's money into the rug merchant businessJump Cut to the uncle reacting in horror and rage after finding out that Stavros lost all his moneyJump Cut to the uncle, now calmer, planning to marry Stavros off to a rich merchant's daughter to salvage the situation. Stavros is supposed to be bringing the family bankroll. A few of these in America America when Stavros's uncle receives him in Constantinople.In silent film Wings, a jump cut is used to go from a medium shot of Jack to a close-up as he realizes that the pilot he shot down was actually his best friend in a stolen German plane.Used repeatedly during Janet's breakdown monologue in The Rocky Horror Picture Show, prompting the callback:.The film adaption of Trainspotting uses jump cuts in one scene as a metaphor for the POV of a character under the influence of speed.Especially notable in Star Wars because the actual scene changes in the movie are a loving tribute to the Wipe (to the extent that the film provides that page's image) rather than the (much more common) dissolve or fate to/through black. These effects are only convincing (though still often jarring) when everything except what needs to change stays in exactly the same position. Jump cuts are occasionally the intersection of a Stop Trick or Match Cut and Special Effect Failure - in Star Wars ( A New Hope), Luke Skywalker deactivates his lightsaber on-screen aboard the Millennium Falcon and appears to teleport a little bit.(Several other episodes had jump cuts, but this was a particularly notable instance.) Mike and the bots immediately decided that he had teleported in. The Mystery Science Theater 3000 episode Girl in Gold Boots has such a jump cut, getting rid of a bit where a character enters a scene.Frank Cappa's classic It's a Wonderful Life contained a scene of these: when Uncle Billy taunts Potter in the bank, and accidentally leaves him his newspaper.In order not to cut around even more the publishers often decide in favour of the jump-cutty result in material. This is, in fact, sadly common with older movies which were never digitalized, and have several bad (cut/torn/dirty/burned) pieces of film which have to be cut out in order to make the film watchable again.Without this little movie, our cinemas would still run on cuts used in the '50s. It also woke up Hollywood to take new paths. Although one of the points of the film is to do everything in pretty much the opposite way it would be done in Hollywood continuity, which includes this. The jump cuts weren't used to any specific artistic purpose, however they were done mainly to get rid of scenes that made the film too long. ![]() The film most widely credited with popularizing jump cuts is Jean-Luc Godard's Breathless (French title: A bout de souffle).Films that use them in this way include GoodFellas and Bug. Jump cuts are also used to disorient viewers, often representing paranoia.Jump cuts were used on purpose in the film Capote during the hanging scene. ![]()
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